Delirium Studies – Art History and its Discontents
In a long distance relationship and want to find ways to stay connected? Defy the Some other places you can watch movies and television shows online. Time and distance have nothing to do when couples want to To play this game, you can start by telling your girlfriend/boyfriend of where you are. . Hangman texting game can be well-played if you and your text buddy are feeling bored funniest photos you can find online and send them to your partner. Keep your long distance relationship going strong with these ideas from readers! We could sketch to play games like hangman and make lists of When I was studying abroad, I ordered a pizza online and sent it to his dorm.
You can also play this with love songs. Bonus points if you find truly awful love songs that also have a LDR theme.
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It is as simple as starting a sentence and leaving it hanging. Unleash your flirty side to turn up the heat in this game and to find out what your partner is been dreaming of while you are so many miles apart.
Mystery photos Send a mysterious, teasing photo of something an object, a place, or a body part. Then your partner has to guess what the picture is of.
Again, you can make this game as safe or as spicy as you wish and as your partner is comfortable with. Offer rewards if your partner guesses correctly. What sort of rewards? What have you always wanted to ask them?
What have you always wanted to dare them to do? Proof of dare should be captured on camera and the photo sent by text. Put a little bit of thought into this or a little bit of effort into googleand truth or dare for couples can make for a deep conversation, a total laugh-fest, or a heavy-breathing fantasy tickler.
Celebrity role-play Make like a celebrity in this role-play-via-text game. Just make sure that if you intend to turn up the heat, you play behind closed doors! You pick a celebrity or a character in a movie.
Get into your fantasy persona and text away.
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Would you character be naughty? Well, then, be naughty. Is there a scene that you have been playing over and over again in your head? Text your thoughts or words to each other. Then, the next time both of you are in the same Zip code, you can work on those lines all night long. Then it is a race against a question deadline for the other person to figure out what that something is. If you fail to nail it, you will have to pay the price. Want to spice it up?
Turn up the heat with promising rewards or punishing penalties. Well, why should poker co-opt something so… tantalizing? There are lots of ways you can incorporate stripping into a long distance game.
It depicts an Oba, or king, of the Kingdom of Benin, founded a thousand years ago. The king is on horseback, facing us, surrounded by attendants. The figures are arranged symmetrically, but on top of this symmetrical foundation, asymmetrical details of costume and accoutrement dance and rhyme. Each figure floats in space, as if they are levitating. At the same time, the figures seem to be caught at a moment of becoming, erupting from the flat plane of the flat, patterned background, as if they are jumping out of the past and into the time and space of the beholder.
The effect is mesmerizing and unsettling, like that of any masterpiece. I am confronted with eight sets of unblinking eyes. What, I wonder, have these eyes seen? And what, I ask myself, do they demand of me? Equestrian Oba and Attendants. Nigeria, Court of Benin. Currently on view in Gallery This plaque is one of hundreds of others that collectively record the history and events of the Edo people.
These plaques were fastened to the wooden interiors of the palaces located in Benin City, the capitol of the kingdom, a cosmopolitan center which had prospered through trade with Europeans, mainly Portuguese, from the fifteenth through the nineteenth century.
The Europeans bought ivory, pepper, and palm oil with guns and manillas, horseshoe shaped bronze or copper bracelets that functioned as money in West Africa throughout the colonial period and up until the s. These manillas were melted down by members of the Edo metalworking guild, and cast into magnificent plaques and sculptures.
There is no explanatory text, no contextualizing information that might explain how this plaque came to be here. In fact, the only text that accompanies this object implies that it, along with hundreds of other plaques, moldered in some tribal archive until some unmentioned force transported it to The Met, so that it might be saved from oblivion, properly cared for, and displayed for the enlightenment and pleasure of all, forever.
The curatorial information accompanying the Benin plaques in Gallery of The Met. The unmentioned force that transported this object, along with countless others now on display in our great museums, is, of course, murder and theft on the grandest scale. These plaques, along with ivory, sculptures, and anything else of value in Benin City, were carried off by the British military during an infamous episode of colonial history known as the Benin Punitive Expedition of This plaque was looted in a military operation meant to destroy the culture that made it.
By the late nineteenth century, as the colonial powers of Europe were scrambling for control of Africa, the British set their sights on the Kingdom of Benin. They wanted control of the trade, the land and the people. The market for rubber, a necessary commodity of the industrial West, exploded in the s because of the popularity of the modern bicycle, and its rubber pneumatic tires.
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The British thought the Edo lands would be perfect for rubber production, and the Edo people a perfectly subduable work force. A one-sided treaty was drawn up inand allegedly signed by the Oba, handing the Edo territory over to Queen Victoria. ByBritish patience had worn thin. In early January,a small group of Englishmen, accompanied by an armed force of Africans, was sent to either to talk some sense into the king, or provoke him into shooting first.
He did, and seven British men were killed. When this news reached England, the nation was outraged. The British would justify their reaction as a humanitarian obligation, not simple revenge.10 Signs of True Love in a Long Distance Relationship
The British would free the Edo people from their despotic king, and bring them the gift of civilization. More importantly, the Kingdom of Benin was an obstacle to British desires of territorial and trade expansion. One way or another, the king needed to be removed, and his territory put to good, colonial use.
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By early February,the British raised a force of 1, soldiers and armed them with the latest in military hardware. Captain Norman Burrows, District Commissioner of the Niger River Protectorate Force, was assigned to command one of 14 Maxims, a perfected machine gun capable of firing rounds a minute.
The British set out for Benin City, traveling upriver until their boats grounded. After that, they hacked their way through dense jungle, fighting Edo soldiers and burning villages along the way. They reached Benin City on the 18th, and the looting began. They took everything they could lay their hands on.
Retrieved 24 January, City of Blood Revisited: A new look at the Benin expedition of The looting was so complete that today, any art from Benin that cannot be traced to this event is assumed to be a modern copy.
Collected papers presented at an international symposium at Rhur-University, Bochum, Feb. Group of six European men sitting surrounded by Benin objects. On February 21st, as the city was being systematically dynamited, an uncontrollable fire broke out. The wounded soldiers and the gunpowder were saved, as well as some of the loot, but just about everything else was lost, and the entire city was in ruins.
What could be salvaged was packed up and sent to London to be auctioned off, and the cultural patrimony of the Edo people ended up scattered in museums across Europe. Hill, unknown], seated with bronzes laid out in foreground. Pitt Rivers Museum number: Like some of the other officers, he was rewarded for his participation in the destruction of Benin City with a portion of the spoils.
Pitt-Rivers displayed it in his private museum in Dorset, England, where it remained until the museum was permanently closed in It then passed through several dealers hands until it was purchased by Nelson Rockefeller, who lent it to The Met in