572233.info: Blues Clues: Meet Blue's Baby Brother (JC) - PC: Video Games
Here is a list of all the available Blue's Clues titles released on VHS& DVD. Blue's Big Musical Movie, VHS & DVD October 6, , "Blue's Big Musical", The VHS release has the Nick Jr. Kids Opening Ident . Meet Blue's Baby Brother!. Meet Blue's Baby Brother is the 10th and final episode from the Sixth Season and the 1st episode of Blue's Room from Season 2. Blue's Clues is an American live-action/animated educational children's television series that . In , with very little "fanfare" and after 75 episodes, co -creator and introduced Burns' replacement Donovan Patton, who played Steve's brother Joe. .. Its creators met regularly with businesses that developed Blue's Clues.
Anderson called the structure of Blue's Clues a game that presented its viewers with increasingly challenging and developmentally appropriate problems to solve. They used content and production characteristics such as pacing which gave children time to respond,  as well as "camera techniques, children's voices, musical cues, sound effects, clear transitions, repeatable dialogue, and visuals.
The purpose of the recurrent formats and content, which were similar in every episode, was to increase viewers' attention, comprehension, and participation during key educational lessons. The producers believed this telecast strategy empowered young children by giving them many opportunities to master the content and problems presented to them.
Kessler, Santomero and Johnson were influenced by Sesame Streetthe first children's television program to utilize a detailed and comprehensive educational curriculum developed from research. There were three phases of testing: As Anderson stated, the formative research team served "as a liaison between the feedback provided by the preschoolers and outside advisers and the production team, including writers, talent, producers, directors, element artists, and animators.
Blues Brothers () - Full Cast & Crew - IMDb
I wanted so much to give kids a television show that celebrates how smart they are, because I truly believe they are brilliant. I also wanted to create a show that would help pre-schoolers feel good about themselves". Blue's Clues co-creator and producer Angela Santomero  Twenty years worth of research had showed that television, a "cultural artifact" accessible to most American children, could be a "powerful educational agent.
They wanted to provide their viewers with more "authentic learning opportunities"  by placing problem-solving tasks within the stories they told, by slowly increasing the difficulty of these tasks, and by inviting their involvement. The producers wanted to foster their audience's sense of empowerment by eliciting their assistance for the show's host and by encouraging their identification with the character Blue, who served as a stand-in for the typical preschooler. Previous children's television programs presented their content with little input from their viewers, but Blue's Clues was one of the first children's shows to actively invite its viewers' involvement.
Its creators believed that if children were more involved in what they were viewing, they would attend to its content longer than previously expected—for up to a half hour—and learn more.
They also dropped the magazine format for a more traditional narrative format. As Variety magazine stated, " The choice for Blue's Clues became to tell one story, beginning to end, camera moving left-to-right like reading a storybook, transitions from scene to scene as obvious as the turning of a page.
After pausing, child voice-overs provided the answers so that they were given to children who had not come up with the solution and helped encourage viewer participation. Crawley and her colleagues stated that the show was "unique in making overt involvement a systematic research-based design element. Writers created a goal sheet, which identified their objectives based on the show's curriculum and audience needs.
Script drafts, once developed and approved by the show's creators and research team, were tested at public and private schools, day care centers, preschools, and Head Start programs by three researchers, who would narrate the story in the form of a storybook and take notes about the children's responses.
572233.info: Blue's Clues: Meet Blues Baby Brother: Software
The writers and creators revised the scripts based on this feedback. A rough video, in which the host performed from the revised script in front of a blue screen with no animation, was filmed and retested.
The script was revised based on the audiences' responses, tested a third time with animation and music added, and incorporated into future productions.
- Warranty & Support
Blue's Clues was the first animated series for preschoolers that utilized simple cut-out construction paper shapes of familiar objects with a wide variety of colors and textures, resembling a storybook.
The green-striped shirt worn by the show's original host, Steve, was inspired by Fruit Stripe gum. The music, produced by composer Michael Rubin and pianist Nick Balaban, was simple, had a natural sound, and exposed children to a wide variety of genres and instruments.
According to Tracy, the music empowered children and gave the show "a sense of playfulness, a sense of joy, and a sense of the fantastic". Johnson hired artist Dave Palmer and production company Big Pink to create the animation from simple materials like fabric, paper, or pipe-cleaners, and scan them into a Macintosh computer so that they could be animated using inexpensive computer software such as MediaUltimatte, Photoshop and After Effects [note 4] instead of being repeatedly redrawn as in traditional animation.
It was his final film role prior to his death four years later, in Starting ina live production of Blue's Clues toured the U. Neither Hoppe nor Gallo had any previous experience in children's theater. The show's script included humor that both children and their parents could enjoy. In total the show was syndicated in countries, and was translated into 15 languages.
Full Cast & Crew
Field tests showed that the attention and comprehension of young viewers increased with each repeat viewing. The researchers tested whether repeated viewings of the show resulted in mastery over the material presented, or whether viewers would habituate or become bored. After five viewings, more of the viewers' cognitive resources were available for interaction and participation, so they answered more questions. Episode repetition seemed to empower viewers, as shown in their enthusiastic efforts to solve the problems presented to them.
Nielsen ratings of the show's first season, when the same episode was shown daily, were flat over the five-day period, which indicated to Anderson that young children did not tire of its repetition or of its complexity over time. Saurus or simply Roaryan orange dinosaur who likes to practice roaring, Frederica, a purple doll who likes to pretend it's her birthday, and Polka Dots, a sea-foam plush toy who creates puzzles for others to solve.
Together, they go on adventures, solve different problems, and use their imaginations. Main[ edit ] Blue puppeteered by Leslie Carrara-Rudolph and voiced by Victoria Pontecorvo — The title character and hostess of the show.
Blue is a happy-go-lucky female blue puppy who is Sprinkles' older sister. She often greets others by shouting, "Hi you! Her catchphrase is "Hoop-dee-doo!
Frederica aka Fred puppeteered by Cheryl Blaylock — Fred is one of Blue's good friends who usually pretends that it is her birthday every day.
She is a purple doll with orange hair. Saurus aka Roary puppeteered by Joey Mazzarino — Roary is an orange dinosaur who likes to practice roaring. Doodle Board puppeteered by Peter Linz — An easel who doodles and draws to tell the viewer to guess what the object is. Dress-Up Chest puppeteered by Tyler Bunch — A purple treasure chest who gives the others costumes to wear.
He also occasionally narrates story segments.