TD Archive: My Bloody Valentine's Bilinda Butcher Interviewed
My Bloody Valentine's Kevin Shields Dissects His New Loveless Vinyl . Kevin Shields & Fender Jaguar Bilinda Butcher & Fender Jazzmaster (My bloody valentine) all the lyrics for Cocteau Twins songs albums Eps Live Covers here . "Patti Smith & Robert Maplethorpe: Read Smith's memoir of their relationship, "Just. Bilinda Jayne Butcher (born 16 September ) is an English musician and singer-songwriter, . Butcher wrote a third of the lyrics on both Isn't Anything and Loveless but has Butcher has said: "He [Shields] never sang any words on the cassettes I got but Kevin Shields · Colm Ó Cíosóig · Debbie Googe; Bilinda Butcher. Kevin Shields on the haircuts of the mid-'80s indie scene. “It was quite a spooky place,” remembers Bilinda Butcher. “The studio was in a.
Shields contributed guitar loops to two Experimental Audio Research albums: The Best of Dinosaur Jr. He contributed guitar, produced and mixed tracks on two of the band's studio albums: Primal Scream frontman Bobby Gillespie has said that "[Shields] brings something that nobody else in the world can bring. He plays guitar the way that nobody else in the world plays guitar," adding that Primal Scream considered Shields to be "part of the family, very much so.
Shields became involved with the score after being contacted by the film's music co-ordinator Brian Reitzell while in Tokyo, Japan. During summerReitzell and Shields began impromptu jam sessions in London where the duo "adopted a late-night recording schedule", resulting in the single " City Girl ".
In November, Shields announced plans to release My Bloody Valentine's third album online before the end of the year,  before announcing during a warm-up show at Electric Brixton in London on 27 January that the album "might be out in two or three days. EVOL and Sister Shields records and produces largely in mono an approach influenced by Brian Wilson 's production on The Beach Boys' Pet Sounds and veteran pop producer Phil Spector.
His sound uses "texture more than technique to create vivid soundscapes". Together with the tremolo manipulation and distortionhe created a technique known as "glide guitar".
It filters unwanted sounds and actually protects my ears. It becomes your first line of defence against audible stress. You just deal with it as you go along.
It'll keep on happening until people reorganise the organisations. He has said that Sony Music Entertainmentupon inheriting My Bloody Valentine from Creation Records, deliberately hid the master tapes of the band's original recordings in an attempt to delay the release of EP's — Reflecting on his decision, Shields said it was "great to release the record without any industry interaction at all, but it also meant that it was a bit too expensive to buy, so we're going to try to make it cheaper by working with various record companies in the future", though ruling out agreements with major labels.
He added "because we're not on Amazon or iTunes Such vanities are not on Kevin's mind after the Reading show. Characteristically modest in his critical post-mortem, he complains: There are slack moments of routine grunge-rock in tonight's set, but everything else is a fiercely controlled fireworks display of overheating psychedelic noise.
Strafed by strobes and bathed in eerie purple light, the Valentines surgically extract immaculate sound-symphonies from their awesome new album Lovelessand methodically mutilate them almost beyond recognition.
Bilinda Butcher - Wikipedia
Bone-crunching dance beats and ethnic twiddles from their two recent EPs, Glider and Tremolo, also make a strong showing. But it is the fragments of 's seminal Isn't Anything LP that really rock Reading, particularly a mutant cousin of Feed Me With Your Kiss which emerges from an ear-splitting minute encore of apocalyptic thunder.
World War III contained on a single stage — call MBV an art band if you want, but this brain-bending display is the closest thing to the catharsis called rock'n'roll anyone here has ever witnessed. It amounts to a triumphant piece of self-justifying theatre from a band many thought could never match the slamming brilliance of Isn't Anything, a band shrouded for three years in rumours concerning scrapped recordings and suicidally spiralling studio costs.My Bloody Valentine - Bilinda Song
Judging by the album's critical reception, the future of both band and label seems assured. When the buzzing hordes of acolytes from post-Valentines bands RideLush, Chapterhouse and Slowdive dissipate from the dressing room in Reading, Kevin is finally willing to nail those rumours.
They felt strained, but nothing special: However, one source contradicts Kevin by hinting that the quarter-million figure belongs to Loveless only. Enigmatic label boss Alan McGee will only reveal "It cost a lot of money, but we all love the album".
In their pre-Creation days, MBV discovered a sonic frequency which causes physical pain and purposely used it to make their live sets very uncomfortable for audiences: The fun is in watching people's faces. That's why we light the audience up, to see their discomfort.
I loved bands like the Ramones and didn't know much about the history of music, so as far as I was concerned The Ramones appeared from nowhere.
I didn't know about all these 60s garage punk bands. I was hung up for a few years on the idea that you had to be original; me and Colm spent two years making original music but it was boring and uninspired.
We weren't doing it for the right reasons. An unwanted reputation for jangly feyness was foisted upon them, largely due to their weedy first efforts on Lazy, the label run by Primitives manager Wayne Morris.
My Bloody Valentine: barbed wire and aliens in the garden - Telegraph
A stormy marriage, as Kevin recalls. Wayne Morris was just so evil to us, him and the Primitives, we fell out with him before we even finished the record. He was so ruthless, he had no respect for the idea of people making music. The Primitives were more manufactured than any Stock Aitken Waterman band. I've seen Wayne tell the guitarist to completely change his hairstyle, he told Tracey he would have her making love to the microphone in a miniskirt within six months … and he did!
With Kevin as main songwriter, the channelled feedback eruptions and bent-out-of-shape guitars on Isn't Anything hung in the air like jet-propelled abstract art, a rootless and seemingly unassailable precipice of pure pop. Suddenly, name-checking the Valentines became hip and indie hopefuls began roughing up their sound all over Southern England. Remembering the fickleness of public opinion, Kevin questions the true extent of his band's influence.